A Singaporean living in Australia explores its complex indigenous history on a trip to Tasmania, and discovers the power of truth-telling. The journey helps her reflect on Singapore’s relationship with its own “first peoples”.
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All in favour of Budget said ‘aye’, Singaporean couples prefer to stop at one, the spread of misinformation about Singapore in China, drag queen Kira Moon allegedly assaulted after night out, ‘no questions asked’ tickets to Checkpoint Theatre’s shows, Shiok Meats and Umami Bioworks merge, and more.
A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?
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Dear reader, We’ve got an announcement about our new head of content at the end of this newsletter, but first: what can Singapore learn from efforts globally to recognise and improve indigenous rights? How can we do so in a way that’s inclusive, that’s cognisant of successive...
A Singaporean living in Australia explores its complex indigenous history on a trip to Tasmania, and discovers the power of truth-telling. The journey helps her reflect on Singapore’s relationship with its own “first peoples”.
All in favour of Budget said ‘aye’, Singaporean couples prefer to stop at one, the spread of misinformation about Singapore in China, drag queen Kira Moon allegedly assaulted after night out, ‘no questions asked’ tickets to Checkpoint Theatre’s shows, Shiok Meats and Umami Bioworks merge, and more.
Dear reader, * Jom’s essay of the week: “Wild Rice’s ‘Hotel’: how do we host our histories?” by Corrie Tan, our arts editor, does what great criticism should—interrogate a piece of work to reveal deeper truths about its essence, thereby creating a space where artists, critics, theatre-goers, and...
A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?
Making politicians’ asset declarations public, face-shaming litterbugs, the historical threads of Glass and Swift’s musical repertoires, Kampong Gelam artwalk, Temasek in early discussions to invest in OpenAI, and more.
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