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Subscribe now Already have a paid account? Sign inSince 2005, 23 Singaporean photographers have attended the workshops at the Angkor Photo Festival. Through three of their works, we learn how the Festival has offered them the space to find their artistic voices.
Subscribe now to read this post and also gain access to Jom’s full library of content.
Subscribe now Already have a paid account? Sign inA critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?
We go roadtripping with Sim Jiaying as she guides us through a meticulous reading of director Anthony Chen’s paean to disaffected Chinese youth, “The Breaking Ice”. The film becomes a point of embarkation for a broader discussion of the road movie genre—as reimagined by Singaporean filmmakers.
An intimate piece of documentary theatre performed by three respected practitioners reveals how the Singaporean theatre industry has come of age—and how that generation has shaped the theatrical age we now live in.
From her debut in Singapore’s indie and electronic scenes to her feature in the National Day Parade song “The Road Ahead”, Linying has distinguished herself with her ethereal vocals, musical versatility, and profound lyricism.
The literary legacy of the late Adrian Tan—bestselling author of The Teenage Textbook and The Teenage Workbook—says a lot more about Singaporeans than we may have wanted.
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