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Paul Rae   |  

Now more than fifty years old, the zombie-like persistence of Sentosa’s Japanese surrender waxworks suggests there is more to the exhibit than meets the eye. A Singapore story cast without Singaporeans, it tells us as much about those who observe, as those depicted.

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Jom   |  

Finally, some scrutiny of GIC, Temasek; Aussie kids banned from social media; our relationship with skateboarding; perfumes, scents, and odours; a ride through Singapore’s playgrounds; a safe and Sinophone year for the Cultural Medallion; and more.

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Jom   |  

We honour the public figures who left for the great beyond this year after indelibly shaping Singapore’s social, cultural, political, and artistic worlds.

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