At the Singapore Fringe Festival, two plays grapple with forced displacement just as Jom’s reviewer ponders privilege, power asymmetries, and the deeply personal decision-making processes that shape the choice to stay, or to leave.
Aditi Shivaramakrishnan
3 posts
Daniel Hui’s fêted feature, refused classification in Singapore, is both admonition and plea. Through a series of legal cases—some known, others forgotten—it asks us to look, to listen, and thus, to care.
A sold-out, debut play from Amanda Chong brought audiences to tears of joy, anger and anguish, delivering rousing applause for lead actress Sindhura Kalidas for her solo performance. But not everything lived up to expectations, according to our reviewer.