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A more intimate relationship with Jom
Jom's benefactors (number capped)
Now more than fifty years old, the zombie-like persistence of Sentosa’s Japanese surrender waxworks suggests there is more to the exhibit than meets the eye. A Singapore story cast without Singaporeans, it tells us as much about those who observe, as those depicted.
Finally, some scrutiny of GIC, Temasek; Aussie kids banned from social media; our relationship with skateboarding; perfumes, scents, and odours; a ride through Singapore’s playgrounds; a safe and Sinophone year for the Cultural Medallion; and more.
What happens when we turn to machines that approximate humanity, for our very human troubles?
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